4 weeks · End to end
( 03 ) Operating system
Brief on Monday. Final cut in four weeks.
Every engagement runs as a four-week sprint led by a senior producer. One inbox, one schedule, one delivery date — no middle-of-the-night surprises about deliverables, locations, or licensing.
- Phases
- Brief · Pre-pro · Shoot · Edit
- Producer
- Senior, on every set
- Revisions
- Two rounds standard
- Licensing
- Perpetual · Worldwide
( 05 ) Operating system
From kickoff to final cut.
Four steps, four weeks, no surprises. A full producer leads every engagement — you have one inbox, one schedule, one delivery date.
- 01Week 0
Intake & creative brief
A 30-minute call to understand the brand, the audience, and which pages, films, and channels we're feeding.
- 02Week 1
Shot list & call sheet
We deliver a detailed shot list, schedule, location plan, and stakeholder call sheet — aligned to your site map.
- 03Week 2
Production day on location
Photo and cinema crews work from the same shot list. Direction, lighting, audio, and B-roll handled end to end.
- 04Week 3–4
Edit, color & delivery
Color-graded photos, edited interviews, a highlight reel, and CMS-ready crops for web, social, and broadcast.
( 03 ) Schedule of deliverables
Who does what, and when.
Every engagement is a 4-week sprint with a shared timeline. Here is the weekly hand-off so internal stakeholders, marketing, and legal can plan around it.
Phase
You provide
We deliver
Week 0 — Brief
You · Share goals, brand, and target pages
Share goals, brand, and target pages
We · 30-min intake call & creative direction memo
30-min intake call & creative direction memo
Week 1 — Pre-pro
You · Approve shot list & call sheet
Approve shot list & call sheet
We · Detailed shot list, schedule, location plan
Detailed shot list, schedule, location plan
Week 2 — Production
You · Show up, be yourself
Show up, be yourself
We · Photo + video crew, lighting, audio, direction
Photo + video crew, lighting, audio, direction
Week 3 — Edit
You · First-round selects + edit notes
First-round selects + edit notes
We · Color, retouch, edit, captions
Color, retouch, edit, captions
Week 4 — Delivery
You · Drop into your CMS
Drop into your CMS
We · Final assets in web, social, broadcast crops
Final assets in web, social, broadcast crops
Toolkit
The kit travels with us.
Cinema cameras, broadcast audio, and tethered photo capture come standard. We bring everything except the people.
- 01Sony FX6 + Sony A7R V
- 02Aputure 600c & 300x lighting
- 03DJI Ronin 4D gimbal
- 04Sennheiser MKH 416 + lavaliers
- 05Capture One tethered
- 06DaVinci Resolve 19
( 08 ) FAQ
The fine print.
Common questions from marketing leaders, founders, and procurement teams. If we missed yours, drop a line below.
Our home base is New York. About 70% of work happens in your office or one of our two studios in Brooklyn; the rest is on location across the lower 48. Travel and accommodations are billed at cost.
A standard Content Day is four weeks end-to-end: kickoff and shot list in week one, the production day in week two, edit and color in weeks three and four. Rush timelines are possible.
Content Days start at $8,500. Content Day Plus starts at $15,000 when interviews and a highlight reel are included. Quarterly partnerships begin at $30k per quarter. Every project ships with a fixed baseline, tailored scope, and clear usage rights.
Yes. A senior producer leads every engagement — including narrative outlines for interview videos, on-set direction, and stakeholder wrangling. You don't need an internal creative team to work with us.
You receive perpetual, worldwide, unlimited usage rights for every asset we deliver — web, social, paid media, broadcast, and print. We retain rights only for our own portfolio and case studies.
Yes. We routinely sign mutual NDAs before kickoff and we can work under existing master service agreements. Confidentiality on financial and healthcare engagements is the default.
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